Ryan Hollyman and Zorana Sadiq in ‘Armadillos’, Photo by Jeremy Mimnagh

A brief glimpse at a backstage moment establishes that a fill-in actor is causing tension in this company, but the remainder of the first act of Colleen Wagner’s Armadillos, presented by Factory Theatre, is the play these actors are performing: a vaguely modernized, high-concept production of The Marriage of Thetis and Peleus. The aesthetic declares itself as Theatre. Continue Reading