Anne Van Leeuwen & Kaitlin Race in Anywhere | Photo by Mark Kreder
Though I recognize the objective achievement of The Bidding War, and Michael Ross Albert’s playwriting career can develop as he sees fit, I much prefer the taut machinery of his single act, continuous action, pressure cooker format. I love the stress and exhilaration of watching, in real time, a mundane situation go from awkward to catastrophic. The thrill and intrigue, on their own terms, are impressive, but Albert isn’t content with sensation; his dire, relatable scenarios invite you to scrutinize your own worldview.
And so I’m thrilled to see this tight, wild little beast of a play again! I loved it back at the 2018 Toronto Fringe, but it’s especially satisfying to see Leroy Street Theatre, One Four One Collective and The Assembly Theatre gift us with a fully realized production of Anywhere. Continue Reading