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The impact of this piece relies almost exclusively on an audience (and even, in this case, the actor themself!) not knowing what’s in store for them. I’ve been in this position once before, confronted with a decision to be relentlessly truthful, to give the game away for the sake of honesty, or be entirely cryptic to allow audiences to experience this in the purest way possible. The thing is, White Rabbit Red Rabbit premiered in 2011 and has been performed and reviewed many times, so although I wasn’t familiar with it, the cat is most assuredly out of the bag. I will try to be somewhat evasive with the details though, which is best anyway, since every performance will be radically different, by design. Continue Reading