Heaven, a 20th anniversary remount of Sasha Ivanochko’s nude, music-less dance work, presented here in association with The Theatre Centre, is a quietly thrilling experience. Whenever I see nude works—especially fully nude works—I always ask myself: would this lose its potency if the dancers were, say, in black tights? Where this is concerned, as in most cases, the answer is an emphatic yes. Continue Reading

