Image by Michael Cooper
Presented by Lester Trips (Theatre) with Factory Theatre
Lauren Gillis and Alaine Hutton are my people. Their brand of bizarro antics seem wired directly into my nervous system. Satirical. Speculative. Surrealistic. And that’s only a small sampling of the -ical, -ative, -istics in their ongoing and ambitious theatrical venture.
Honey I’m Home was a hilariously twitchy, unnerving and weirdly relatable masterpiece that’s still rattling about my psyche. Their follow-up, Public Consumption, well… I struggled with that one, but even that ordeal felt conceptually significant. This final instalment in their techno-visceral triptych meditation on human progress (?)—hmmm, let’s say trajectory—is… well… Continue Reading