Initially conceived in the spring of 2020, Elena Belyea’s I Don’t Even Miss You candidly echoes the pandemic isolation that inspired it. Even the date of non-binary, computer-programmer protagonist Basil’s “worst day” aligns with the world shutting down. And yet, Belyea makes this an alternate timeline split for a haunting, meditative and disarmingly whimsical sci-fi premise. Presented by Factory Theatre and Tiny Bear Jaws, this intimate solo show—a deep dive into one person’s loneliness, grief and resilience—packs an astonishing amount of ideas and nuanced emotionality into 80 minutes. Continue Reading

